| I think you have to have a real point of view | The difficulty with color is to go beyond the |
| that's your own. You have to tell it your way. | fact that it's color to have it be not just a |
| And, I think that it's a mistake to shoot for a | colorful picture but really be a picture about |
| specific magazine's point of view because it's | something. It's difficult. So often color gets |
| never going to be as good. You have to shoot | caught up in color, and it becomes merely |
| for yourself and photograph [the way] you | decorative. Some photographers use [ it ] |
| believe it. - Mary Ellen Mark | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| Photography knows how to authenticate its | - Mary Ellen Mark |
| misrepresentations. - Mason Cooley | |
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New York |
Dallas |
San Jose |
Rochester |
Lubbock |
Eugene |
Vancouver |
Jacksonville |
Salt Lake City |
Lorain |
Torrance |
Zanesville |
Cincinnati |
Henderson |
Glendale |
Arlington |
Pocatello |
Pompano Beach |
Newnan |
Watertown |
Oakland |
Canton |
Tyler |
Albuquerque |
Carol Stream |
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| Photography takes an instant out of time, | Sometimes you can tell a large story with a |
| altering life by holding it still. - Dorothea | tiny subject. - Eliot Porter |
| Lange | |
| | A great photograph is one that fully expresses |
| [Photography] is a way of feeling, of touching, | what one feels, in the deepest sense, about |
| of loving. What you have caught on film is | what is being photographed. - Ansel |
| captured forever . . . it remembers little things, | Adams |
| long after you have forgotten everything. | |
| - Aaron Siskind | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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