| It is not the language of painters but the | Pictures you have taken have an influence on |
| language of nature which one should listen to. | those that you are going to make. |
| . . . The feeling for the things themselves, for | That's life! - John Sexton |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | Photography is a major force in explaining |
| | man to man. - Edward Steichen |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | You've got to push yourself harder. You've got |
| reactions and convictions. Ask yourself: | to start looking for pictures nobody else could |
| "Does this subject move me to feel, think | take. You've got to take the tools you have and |
| and dream? Can I visualize a print - my own | probe deeper. - William Albert Allard |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Wichita |
Mobile |
Tucson |
Redlands |
Palm Harbor |
Amsterdam |
Elizabethtown |
Chattanooga |
Cypress |
Akron |
Mineral Wells |
Daytona Beach |
Apex |
Athens |
Vidalia |
Conover |
Hampton |
Sayre |
Prescott |
Newton |
Groton |
Fountain Hills |
Santa Fe |
Lake Lanier Atlanta |
Springfield |
Mcgraw |
Cornelius |
Edinboro |
Jefferson City |
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| A picture is the expression of an impression. If | One should really use the camera as though |
| the beautiful were not in us, how would we | tomorrow you'd be stricken blind. |
| ever recognize it? - Ernst Haas | - Dorothea Lange |
| | |
| Sometimes you can tell a large story with a | The virtue of the camera is not the power it |
| tiny subject. - Eliot Porter | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| You learn to see by practice. It's just like | looking. - Brooks Anderson |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | A mad, keen photographer needs to get out |
| more you see. The more you photograph, the | into the world and work and make mistakes. |
| more you realize what can be photographed | - Sam Abell |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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