| My own eyes are no more than scouts on a | Above all, it's hard learning to live with vivid |
| preliminary search, for the camera's eye may | mental images of scenes I cared for and failed |
| entirely change my idea. - Edward | to photograph. It is the edgy existence within |
| Weston | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| The difficulty with color is to go beyond the | be made. - Sam Abell |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | Photography is my passion. - Alfred |
| something. It's difficult. So often color gets | Stieglitz |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Baltimore |
New York |
Birmingham |
Orlando |
St. Paul |
Charleston |
Norfolk |
Boca Raton |
Johnson City |
Wilmington |
Minneapolis |
Hollywood |
Northampton |
Eugene |
Gonzales |
Hamilton |
Portland |
Carlisle |
Winnsboro |
Belton |
Queensbury |
Douglas |
Beverly Hills |
Sebastopol |
Monroe |
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| Memory is very important, the memory of | A picture is the expression of an impression. If |
| each photo taken, flowing at the same speed | the beautiful were not in us, how would we |
| as the event. During the work, you have to be | ever recognize it? - Ernst Haas |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | I think the best pictures are often on the edges |
| be too late. - Henri Cartier Bresson | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| ...words and pictures can work together to | photographing the edges. - William Albert |
| communicate more powerfully than either | Allard |
| alone. -William Albert Allard | |
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