| My own eyes are no more than scouts on a | "Simply look with perceptive eyes at the |
| preliminary search, for the camera's eye may | world about you, and trust to your own |
| entirely change my idea. - Edward | reactions and convictions. Ask yourself: |
| Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| The virtue of the camera is not the power it | personal statement of what I feel and want to |
| has to transform the photographer into an | convey - from the subject before me?" |
| artist, but the impulse it gives him to keep on | - Ansel Adams |
| looking. - Brooks Anderson | |
| | Photography is my passion. - Alfred |
| | Stieglitz |
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San Francisco |
San Antonio |
Albuquerque |
Providence |
Los Angeles |
Bradenton |
Oxnard |
Phoenix |
Burlingame |
Endicott |
Owensboro |
Weslaco |
Pontiac |
La Grange |
Clemmons |
Carrollton |
Waynesboro |
Parsons |
Marysville |
Minden |
Northport |
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| A picture is the expression of an impression. If | Pictures you have taken have an influence on |
| the beautiful were not in us, how would we | those that you are going to make. |
| ever recognize it? - Ernst Haas | That's life! - John Sexton |
| | |
| A great photograph is one that fully expresses | Photography records the gamut of feelings |
| what one feels, in the deepest sense, about | written on the human face, the beauty of the |
| what is being photographed. - Ansel | earth and skies that man has inherited and the |
| Adams | wealth and confusion man has created. |
| | - Edward Steichen |
| Keep it simple. - Alfred Eienstaedt | |
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