| "Simply look with perceptive eyes at the | A room hung with pictures is a room hung with |
| world about you, and trust to your own | thoughts. - Sir Joshua Reynolds |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | Keep it simple. - Alfred Eienstaedt |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | A great photograph is one that fully expresses |
| convey - from the subject before me?" | what one feels, in the deepest sense, about |
| - Ansel Adams | what is being photographed. - Ansel |
| | Adams |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | |
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New York |
Tampa |
Houston |
Omaha |
Santa Fe |
Lenoir |
Roanoke Rapids |
Cartersville |
Edison |
North Richland Hills |
Purcell |
Riverside |
Vista |
Norwich |
New Kensington |
Wenatchee |
Cottonwood |
Stuttgart |
Iselin |
Kearney |
Red Bank |
Maunaloa |
Auburn |
Murray |
White Bear Lake |
Batesville |
Isle Of Palms |
Hawley |
Dickson |
Hutchinson |
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| Photography suits the temper of this ageof | Photography is about finding out what can |
| active bodies and minds. It is a perfect | happen in the frame. When you put four |
| medium for one whose mind is teeming with | edges around some facts, you change those |
| ideas, imagery, for a prolific worker who | facts. - Gary Winogrand |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | Photography is a major force in explaining |
| decisively, accurately. - Edward Weston | man to man. - Edward Steichen |
| | |
| The difficulty with color is to go beyond the | Memory is very important, the memory of |
| fact that it's color to have it be not just a | each photo taken, flowing at the same speed |
| colorful picture but really be a picture about | as the event. During the work, you have to be |
| something. It's difficult. So often color gets | sure that you haven't left any holes, that you've |
| caught up in color, and it becomes merely | captured everything, because afterwards it will |
| decorative. Some photographers use [ it ] | be too late. - Henri Cartier Bresson |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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