| Once photography enters your bloodstream, | Photography knows how to authenticate its |
| it's like a disease. - Anon | misrepresentations. - Mason Cooley |
| | |
| [Photography] is a way of feeling, of touching, | You've got to push yourself harder. You've got |
| of loving. What you have caught on film is | to start looking for pictures nobody else could |
| captured forever . . . it remembers little things, | take. You've got to take the tools you have and |
| long after you have forgotten everything. | probe deeper. - William Albert Allard |
| - Aaron Siskind | |
| | Photography is a major force in explaining |
| There is nothing worse than a sharp image of | man to man. - Edward Steichen |
| a fuzzy concept. - Ansel Adams | |
|
|
Baltimore |
Phoenix |
Shreveport |
San Antonio |
Tulsa |
Cherry Hill |
Nashua |
Lake Worth |
Covington |
Bensalem |
Garner |
Irving |
Brockport |
New Brunswick |
Brigantine |
Brattleboro |
Paintsville |
Jasper |
Pulaski |
Zephyrhills |
Junction |
Kearney |
Pekin |
New Florence |
Oswego |
Glendale Heights |
|
|
| A great photograph is one that fully expresses | The difficulty with color is to go beyond the |
| what one feels, in the deepest sense, about | fact that it's color to have it be not just a |
| what is being photographed. - Ansel | colorful picture but really be a picture about |
| Adams | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| A picture is the expression of an impression. If | decorative. Some photographers use [ it ] |
| the beautiful were not in us, how would we | brilliantly to make visual statements combining |
| ever recognize it? - Ernst Haas | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Sometimes you can tell a large story with a | |
| tiny subject. - Eliot Porter | |
|