| The camera makes everyone a tourist in other | "Simply look with perceptive eyes at the |
| people's reality. - Susan Sontag | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| My own eyes are no more than scouts on a | "Does this subject move me to feel, think |
| preliminary search, for the camera's eye may | and dream? Can I visualize a print - my own |
| entirely change my idea. - Edward | personal statement of what I feel and want to |
| Weston | convey - from the subject before me?" |
| | - Ansel Adams |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | There is nothing worse than a sharp image of |
| artist, but the impulse it gives him to keep on | a fuzzy concept. - Ansel Adams |
| looking. - Brooks Anderson | |
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New York |
Richmond |
St. Louis |
Houston |
Glendale |
Santa Rosa |
Southampton |
Northbrook |
Salisbury |
Culver City |
Seneca |
York |
Plymouth |
Madison |
Duluth |
El Segundo |
Fort Pierce |
Burlington |
Lockport |
Annapolis |
Mcgraw |
Waseca |
Overland Park |
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| ...words and pictures can work together to | You learn to see by practice. It's just like |
| communicate more powerfully than either | playing tennis, you get better the more you |
| alone. -William Albert Allard | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| Memory is very important, the memory of | more you realize what can be photographed |
| each photo taken, flowing at the same speed | and what can't be photographed. You just have |
| as the event. During the work, you have to be | to keep doing it. - Eliot Porter |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | I think the best pictures are often on the edges |
| be too late. - Henri Cartier Bresson | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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