| Above all, it's hard learning to live with vivid | The virtue of the camera is not the power it |
| mental images of scenes I cared for and failed | has to transform the photographer into an |
| to photograph. It is the edgy existence within | artist, but the impulse it gives him to keep on |
| me of these unmade images that is the only | looking. - Brooks Anderson |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| Photography is my passion. - Alfred | - Sam Abell |
| Stieglitz | |
| | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Miami |
Omaha |
Louisville |
Chicago |
Santa Barbara |
Boise |
Oakland |
Hampton |
Duluth |
Cedar Rapids |
Warrensburg |
Stamford |
Midland |
Ozark |
Oceanside |
Conyers |
Kansas City |
Palm Bay |
Mount Shasta |
Shreveport |
San Diego |
Forest City |
Mount Olive |
Honolulu |
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| Photography knows how to authenticate its | Sometimes you can tell a large story with a |
| misrepresentations. - Mason Cooley | tiny subject. - Eliot Porter |
| | |
| You've got to push yourself harder. You've got | Keep it simple. - Alfred Eienstaedt |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | A picture is the expression of an impression. If |
| probe deeper. - William Albert Allard | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | A great photograph is one that fully expresses |
| as the event. During the work, you have to be | what one feels, in the deepest sense, about |
| sure that you haven't left any holes, that you've | what is being photographed. - Ansel |
| captured everything, because afterwards it will | Adams |
| be too late. - Henri Cartier Bresson | |
|