| I think you have to have a real point of view | No place is boring, if you've had a good |
| that's your own. You have to tell it your way. | night's sleep and have a pocket full of |
| And, I think that it's a mistake to shoot for a | unexposed film. - Robert Adams |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A great photograph is one that fully expresses |
| for yourself and photograph [the way] you | what one feels, in the deepest sense, about |
| believe it. - Mary Ellen Mark | what is being photographed. - Ansel |
| | Adams |
| Pictures you have taken have an influence on | |
| those that you are going to make. | A good picture is equivalent to a good deed. |
| That's life! - John Sexton | - Vincent Van Gogh |
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San Diego |
Columbus |
San Jose |
Anderson |
Hartsville |
Olympia |
Clayton |
Peachtree City |
Oxnard |
Stone Mountain |
Ocala |
Cordele |
Hickory |
Boone |
Winter Haven |
Carol Stream |
Williamsburg |
Cedar Park |
Fort Worth |
Wauseon |
Williamston |
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| "Simply look with perceptive eyes at the | A mad, keen photographer needs to get out |
| world about you, and trust to your own | into the world and work and make mistakes. |
| reactions and convictions. Ask yourself: | - Sam Abell |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | The difficulty with color is to go beyond the |
| personal statement of what I feel and want to | fact that it's color to have it be not just a |
| convey - from the subject before me?" | colorful picture but really be a picture about |
| - Ansel Adams | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Photography is my passion. - Alfred | decorative. Some photographers use [ it ] |
| Stieglitz | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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