| A room hung with pictures is a room hung with | "Simply look with perceptive eyes at the |
| thoughts. - Sir Joshua Reynolds | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| No place is boring, if you've had a good | "Does this subject move me to feel, think |
| night's sleep and have a pocket full of | and dream? Can I visualize a print - my own |
| unexposed film. - Robert Adams | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| A picture is the expression of an impression. If | - Ansel Adams |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | Once photography enters your bloodstream, |
| | it's like a disease. - Anon |
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Houston |
Los Angeles |
El Paso |
Long Beach |
Boston |
Baton Rouge |
Tucson |
Sioux Falls |
Biloxi |
St. Paul |
Cedar Rapids |
Oakland |
Fairfax |
Idaho Falls |
Brooksville |
Boone |
West Des Moines |
Ottawa |
Smyrna |
Crystal River |
Russell |
Philippi |
Pulaski |
Craig |
Ft. Dodge |
Pismo Beach |
Kernersville |
Donalsonville |
Paris |
Monrovia |
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| My own eyes are no more than scouts on a | You've got to push yourself harder. You've got |
| preliminary search, for the camera's eye may | to start looking for pictures nobody else could |
| entirely change my idea. - Edward | take. You've got to take the tools you have and |
| Weston | probe deeper. - William Albert Allard |
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| Photography suits the temper of this ageof | Memory is very important, the memory of |
| active bodies and minds. It is a perfect | each photo taken, flowing at the same speed |
| medium for one whose mind is teeming with | as the event. During the work, you have to be |
| ideas, imagery, for a prolific worker who | sure that you haven't left any holes, that you've |
| would be slowed down by painting or | captured everything, because afterwards it will |
| sculpting, for one who sees quickly and acts | be too late. - Henri Cartier Bresson |
| decisively, accurately. - Edward Weston | |
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