| A good picture is equivalent to a good deed. | Photography records the gamut of feelings |
| - Vincent Van Gogh | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| You learn to see by practice. It's just like | wealth and confusion man has created. |
| playing tennis, you get better the more you | - Edward Steichen |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | You've got to push yourself harder. You've got |
| more you realize what can be photographed | to start looking for pictures nobody else could |
| and what can't be photographed. You just have | take. You've got to take the tools you have and |
| to keep doing it. - Eliot Porter | probe deeper. - William Albert Allard |
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New York |
San Diego |
Virginia Beach |
El Paso |
Grand Rapids |
Arlington |
Madison |
Houston |
Riverside |
Fontana |
Littleton |
Oneonta |
Albany |
Santa Ana |
Portales |
Bishopville |
Lexington |
Groton |
Hoboken |
Anaheim |
Faribault |
Modesto |
Nashville |
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York |
Los Alamitos |
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| Photography takes an instant out of time, | The camera makes everyone a tourist in other |
| altering life by holding it still. - Dorothea | people's reality. - Susan Sontag |
| Lange | |
| | A mad, keen photographer needs to get out |
| "Simply look with perceptive eyes at the | into the world and work and make mistakes. |
| world about you, and trust to your own | - Sam Abell |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | One should really use the camera as though |
| and dream? Can I visualize a print - my own | tomorrow you'd be stricken blind. |
| personal statement of what I feel and want to | - Dorothea Lange |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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