| Memory is very important, the memory of | Photography is my passion. - Alfred |
| each photo taken, flowing at the same speed | Stieglitz |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | It is not the language of painters but the |
| captured everything, because afterwards it will | language of nature which one should listen to. |
| be too late. - Henri Cartier Bresson | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| Photography records the gamut of feelings | pictures. - Vincent Van Gogh |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | [Photography] is a way of feeling, of touching, |
| wealth and confusion man has created. | of loving. What you have caught on film is |
| - Edward Steichen | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
|
|
Chicago |
El Paso |
Wilmington |
Raleigh |
Albany |
Salt Lake City |
San Mateo |
Crossville |
Klamath Falls |
Walla Walla |
Brookings |
San Rafael |
Broken Arrow |
Carrollton |
Forrest City |
Hearne |
Vineland |
Arcola |
Lancaster |
Oconomowoc |
Bonner Springs |
Ukiah |
Norwich |
|
|
| The difficulty with color is to go beyond the | A picture is the expression of an impression. If |
| fact that it's color to have it be not just a | the beautiful were not in us, how would we |
| colorful picture but really be a picture about | ever recognize it? - Ernst Haas |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Sometimes you can tell a large story with a |
| decorative. Some photographers use [ it ] | tiny subject. - Eliot Porter |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | A good picture is equivalent to a good deed. |
| - Mary Ellen Mark | - Vincent Van Gogh |
|