| The virtue of the camera is not the power it | Memory is very important, the memory of |
| has to transform the photographer into an | each photo taken, flowing at the same speed |
| artist, but the impulse it gives him to keep on | as the event. During the work, you have to be |
| looking. - Brooks Anderson | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| The camera makes everyone a tourist in other | be too late. - Henri Cartier Bresson |
| people's reality. - Susan Sontag | |
| | I think you have to have a real point of view |
| A mad, keen photographer needs to get out | that's your own. You have to tell it your way. |
| into the world and work and make mistakes. | And, I think that it's a mistake to shoot for a |
| - Sam Abell | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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| Above all, it's hard learning to live with vivid | You can find pictures anywhere. It's simply a |
| mental images of scenes I cared for and failed | matter of noticing things and organizing them. |
| to photograph. It is the edgy existence within | You just have to care about what's around you |
| me of these unmade images that is the only | and have a concern with humanity and the |
| assurance that the best photographs are yet to | human comedy. - Elliott Erwitt |
| be made. - Sam Abell | |
| | No place is boring, if you've had a good |
| It is not the language of painters but the | night's sleep and have a pocket full of |
| language of nature which one should listen to. | unexposed film. - Robert Adams |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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