| The camera makes everyone a tourist in other | Photography is a major force in explaining |
| people's reality. - Susan Sontag | man to man. - Edward Steichen |
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| The difficulty with color is to go beyond the | You've got to push yourself harder. You've got |
| fact that it's color to have it be not just a | to start looking for pictures nobody else could |
| colorful picture but really be a picture about | take. You've got to take the tools you have and |
| something. It's difficult. So often color gets | probe deeper. - William Albert Allard |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Memory is very important, the memory of |
| brilliantly to make visual statements combining | each photo taken, flowing at the same speed |
| color and content; otherwise it is empty. | as the event. During the work, you have to be |
| - Mary Ellen Mark | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Houston |
Brooklyn |
Tulsa |
El Paso |
Reno |
Waco |
Coral Springs |
Niles |
San Bruno |
Oak Park |
Chambersburg |
Gary |
Weslaco |
Lansing |
Cookeville |
Willoughby |
Lenoir |
Auburn |
Manchester |
Floral Park |
Middleboro |
Port Huron |
Bethlehem |
Collinsville |
Massena |
Visalia |
Sergeant Bluff |
Deerfield Beach |
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| It is not the language of painters but the | Keep it simple. - Alfred Eienstaedt |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | You can find pictures anywhere. It's simply a |
| reality, is more important than the feeling for | matter of noticing things and organizing them. |
| pictures. - Vincent Van Gogh | You just have to care about what's around you |
| | and have a concern with humanity and the |
| "Simply look with perceptive eyes at the | human comedy. - Elliott Erwitt |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | A great photograph is one that fully expresses |
| "Does this subject move me to feel, think | what one feels, in the deepest sense, about |
| and dream? Can I visualize a print - my own | what is being photographed. - Ansel |
| personal statement of what I feel and want to | Adams |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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