| My own eyes are no more than scouts on a | A picture is the expression of an impression. If |
| preliminary search, for the camera's eye may | the beautiful were not in us, how would we |
| entirely change my idea. - Edward | ever recognize it? - Ernst Haas |
| Weston | |
| | You learn to see by practice. It's just like |
| I almost never set out to photograph a | playing tennis, you get better the more you |
| landscape, nor do I think of my camera as a | play. The more you look around at things, the |
| means of recording a mountain or an animal | more you see. The more you photograph, the |
| unless I absolutely need a 'record shot'. My | more you realize what can be photographed |
| first thought is always of light. - Galen | and what can't be photographed. You just have |
| Rowell | to keep doing it. - Eliot Porter |
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Las Vegas |
Indianapolis |
Wichita |
Bensalem |
Pleasanton |
Paris |
Cherry Hill |
Orlando |
Corpus Christi |
Vermillion |
Lexington |
Wallace |
Hays |
Mountain View |
Russellville |
Gautier |
Fullerton |
Castle Rock |
Kilgore |
Rosemont |
Richmond |
Middletown |
Sandusky |
Canoga Park |
Onley |
East Aurora |
Winter Park |
Wrightstown |
North Ridgeville |
South Holland |
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| Now to consult the rules of composition before | Memory is very important, the memory of |
| making a picture is a little like consulting the | each photo taken, flowing at the same speed |
| law of gravitation before going for a walk. | as the event. During the work, you have to be |
| Such rules and laws are deduced from the | sure that you haven't left any holes, that you've |
| accomplished fact; they are the products of | captured everything, because afterwards it will |
| reflection . . . - Edward Weston | be too late. - Henri Cartier Bresson |
| | |
| Photography takes an instant out of time, | Photography is a major force in explaining |
| altering life by holding it still. - Dorothea | man to man. - Edward Steichen |
| Lange | |
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