| You can find pictures anywhere. It's simply a | Photography records the gamut of feelings |
| matter of noticing things and organizing them. | written on the human face, the beauty of the |
| You just have to care about what's around you | earth and skies that man has inherited and the |
| and have a concern with humanity and the | wealth and confusion man has created. |
| human comedy. - Elliott Erwitt | - Edward Steichen |
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| A great photograph is one that fully expresses | Memory is very important, the memory of |
| what one feels, in the deepest sense, about | each photo taken, flowing at the same speed |
| what is being photographed. - Ansel | as the event. During the work, you have to be |
| Adams | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Miami |
Baltimore |
Corpus Christi |
Memphis |
Phoenix |
Metairie |
Allentown |
Easton |
Huntington |
Alhambra |
Dorchester |
Jamesburg |
Fairfax |
Westbury |
Sidney |
Wichita Falls |
West Mifflin |
Cameron Park |
Mount Airy |
Meriden |
Fitzgerald |
Vandalia |
Dayton |
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| The virtue of the camera is not the power it | Photography is my passion. - Alfred |
| has to transform the photographer into an | Stieglitz |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| A mad, keen photographer needs to get out | Lange |
| into the world and work and make mistakes. | |
| - Sam Abell | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| The difficulty with color is to go beyond the | reactions and convictions. Ask yourself: |
| fact that it's color to have it be not just a | "Does this subject move me to feel, think |
| colorful picture but really be a picture about | and dream? Can I visualize a print - my own |
| something. It's difficult. So often color gets | personal statement of what I feel and want to |
| caught up in color, and it becomes merely | convey - from the subject before me?" |
| decorative. Some photographers use [ it ] | - Ansel Adams |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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