| The difficulty with color is to go beyond the | Photography is a major force in explaining |
| fact that it's color to have it be not just a | man to man. - Edward Steichen |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | ...words and pictures can work together to |
| caught up in color, and it becomes merely | communicate more powerfully than either |
| decorative. Some photographers use [ it ] | alone. -William Albert Allard |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | Photography records the gamut of feelings |
| - Mary Ellen Mark | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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Los Angeles |
Brooklyn |
Phoenix |
Nashville |
Bronx |
Oakland |
Santa Barbara |
Beckley |
Columbia |
Bayside |
Allentown |
Pikeville |
Gulf Breeze |
Muskogee |
Texarkana |
Athens |
Hendersonville |
Des Moines |
Butler |
Sandusky |
Cedar City |
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| Above all, it's hard learning to live with vivid | A good picture is equivalent to a good deed. |
| mental images of scenes I cared for and failed | - Vincent Van Gogh |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | I think the best pictures are often on the edges |
| assurance that the best photographs are yet to | of any situation, I don't find photographing the |
| be made. - Sam Abell | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| It is not the language of painters but the | Allard |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | No place is boring, if you've had a good |
| reality, is more important than the feeling for | night's sleep and have a pocket full of |
| pictures. - Vincent Van Gogh | unexposed film. - Robert Adams |
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