| Photography knows how to authenticate its | I almost never set out to photograph a |
| misrepresentations. - Mason Cooley | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| Photography records the gamut of feelings | unless I absolutely need a 'record shot'. My |
| written on the human face, the beauty of the | first thought is always of light. - Galen |
| earth and skies that man has inherited and the | Rowell |
| wealth and confusion man has created. | |
| - Edward Steichen | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| I think you have to have a real point of view | - Sam Abell |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
|
|
New York |
Atlanta |
Las Vegas |
Long Beach |
Fort Worth |
Huntington Beach |
Brownsville |
Bellingham |
Cullman |
Delray Beach |
Kaufman |
Jackson |
Somerset |
Lenoir City |
Newton |
Mars Hill |
Roseville |
Blacksburg |
Lavonia |
Mendota Heights |
Sun Prairie |
Sturgis |
Hampton |
Westbrook |
Grantville |
Monterey Park |
York |
Lake Village |
|
|
| Above all, it's hard learning to live with vivid | A good picture is equivalent to a good deed. |
| mental images of scenes I cared for and failed | - Vincent Van Gogh |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | A great photograph is one that fully expresses |
| assurance that the best photographs are yet to | what one feels, in the deepest sense, about |
| be made. - Sam Abell | what is being photographed. - Ansel |
| | Adams |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | Sometimes you can tell a large story with a |
| reactions and convictions. Ask yourself: | tiny subject. - Eliot Porter |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|