| Above all, it's hard learning to live with vivid | No place is boring, if you've had a good |
| mental images of scenes I cared for and failed | night's sleep and have a pocket full of |
| to photograph. It is the edgy existence within | unexposed film. - Robert Adams |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | A good picture is equivalent to a good deed. |
| be made. - Sam Abell | - Vincent Van Gogh |
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| [Photography] is a way of feeling, of touching, | A great photograph is one that fully expresses |
| of loving. What you have caught on film is | what one feels, in the deepest sense, about |
| captured forever . . . it remembers little things, | what is being photographed. - Ansel |
| long after you have forgotten everything. | Adams |
| - Aaron Siskind | |
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Philadelphia |
Las Vegas |
Fort Worth |
Seattle |
Sarasota |
Glendale |
Chattanooga |
Alexandria |
Charleston |
Fall River |
Killeen |
Palm Harbor |
Dubuque |
Rowland Heights |
Falmouth |
Scottsdale |
Jacksonville |
Pine Bluff |
Hilton Head Island |
South Bend |
Princeton |
Lexington |
Ainsworth |
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| I almost never set out to photograph a | I think you have to have a real point of view |
| landscape, nor do I think of my camera as a | that's your own. You have to tell it your way. |
| means of recording a mountain or an animal | And, I think that it's a mistake to shoot for a |
| unless I absolutely need a 'record shot'. My | specific magazine's point of view because it's |
| first thought is always of light. - Galen | never going to be as good. You have to shoot |
| Rowell | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | Pictures you have taken have an influence on |
| - Sam Abell | those that you are going to make. |
| | That's life! - John Sexton |
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