| You've got to push yourself harder. You've got | You learn to see by practice. It's just like |
| to start looking for pictures nobody else could | playing tennis, you get better the more you |
| take. You've got to take the tools you have and | play. The more you look around at things, the |
| probe deeper. - William Albert Allard | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| Pictures you have taken have an influence on | and what can't be photographed. You just have |
| those that you are going to make. | to keep doing it. - Eliot Porter |
| That's life! - John Sexton | |
| | No place is boring, if you've had a good |
| Photography knows how to authenticate its | night's sleep and have a pocket full of |
| misrepresentations. - Mason Cooley | unexposed film. - Robert Adams |
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San Antonio |
New York |
Detroit |
Pittsburgh |
Las Vegas |
Greensboro |
Chicago |
Chattanooga |
Layton |
Lebanon |
Visalia |
Oconomowoc |
Sand Springs |
Long Beach |
Chesterfield |
Farmington Hills |
Sunnyvale |
Boynton Beach |
Santa Monica |
Omaha |
Manassas |
New Bedford |
Tarrytown |
Lewisburg |
Bass River |
Carpinteria |
Hawthorne |
Sandy |
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| My own eyes are no more than scouts on a | Once photography enters your bloodstream, |
| preliminary search, for the camera's eye may | it's like a disease. - Anon |
| entirely change my idea. - Edward | |
| Weston | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| The camera makes everyone a tourist in other | Lange |
| people's reality. - Susan Sontag | |
| | "Simply look with perceptive eyes at the |
| One should really use the camera as though | world about you, and trust to your own |
| tomorrow you'd be stricken blind. | reactions and convictions. Ask yourself: |
| - Dorothea Lange | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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