| The difficulty with color is to go beyond the | Photography records the gamut of feelings |
| fact that it's color to have it be not just a | written on the human face, the beauty of the |
| colorful picture but really be a picture about | earth and skies that man has inherited and the |
| something. It's difficult. So often color gets | wealth and confusion man has created. |
| caught up in color, and it becomes merely | - Edward Steichen |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Memory is very important, the memory of |
| color and content; otherwise it is empty. | each photo taken, flowing at the same speed |
| - Mary Ellen Mark | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Brooklyn |
Indianapolis |
Phoenix |
Las Vegas |
St. Paul |
Metairie |
Lakeland |
Norfolk |
Naples |
Midland |
Whittier |
Carson City |
Kankakee |
Somerville |
Cape Girardeau |
Coshocton |
Las Cruces |
Sylmar |
Dayton |
Mexico |
Indio |
Harrisburg |
Mount Holly |
Mundelein |
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| It is not the language of painters but the | Keep it simple. - Alfred Eienstaedt |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | A good picture is equivalent to a good deed. |
| reality, is more important than the feeling for | - Vincent Van Gogh |
| pictures. - Vincent Van Gogh | |
| | You can find pictures anywhere. It's simply a |
| There is nothing worse than a sharp image of | matter of noticing things and organizing them. |
| a fuzzy concept. - Ansel Adams | You just have to care about what's around you |
| | and have a concern with humanity and the |
| "Simply look with perceptive eyes at the | human comedy. - Elliott Erwitt |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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