| Keep it simple. - Alfred Eienstaedt | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| I think the best pictures are often on the edges | as the event. During the work, you have to be |
| of any situation, I don't find photographing the | sure that you haven't left any holes, that you've |
| situation nearly as interesting as | captured everything, because afterwards it will |
| photographing the edges. - William Albert | be too late. - Henri Cartier Bresson |
| Allard | |
| | Pictures you have taken have an influence on |
| Sometimes you can tell a large story with a | those that you are going to make. |
| tiny subject. - Eliot Porter | That's life! - John Sexton |
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Houston |
San Diego |
Pittsburgh |
Chicago |
Austin |
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Jackson |
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| I almost never set out to photograph a | "Simply look with perceptive eyes at the |
| landscape, nor do I think of my camera as a | world about you, and trust to your own |
| means of recording a mountain or an animal | reactions and convictions. Ask yourself: |
| unless I absolutely need a 'record shot'. My | "Does this subject move me to feel, think |
| first thought is always of light. - Galen | and dream? Can I visualize a print - my own |
| Rowell | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| Photography suits the temper of this ageof | - Ansel Adams |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | There is nothing worse than a sharp image of |
| ideas, imagery, for a prolific worker who | a fuzzy concept. - Ansel Adams |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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