| Photography knows how to authenticate its | Above all, it's hard learning to live with vivid |
| misrepresentations. - Mason Cooley | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| ...words and pictures can work together to | me of these unmade images that is the only |
| communicate more powerfully than either | assurance that the best photographs are yet to |
| alone. -William Albert Allard | be made. - Sam Abell |
| | |
| You've got to push yourself harder. You've got | [Photography] is a way of feeling, of touching, |
| to start looking for pictures nobody else could | of loving. What you have caught on film is |
| take. You've got to take the tools you have and | captured forever . . . it remembers little things, |
| probe deeper. - William Albert Allard | long after you have forgotten everything. |
| | - Aaron Siskind |
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New York |
Denver |
Pittsburgh |
Nashville |
Greenville |
Albany |
Walnut Creek |
Aurora |
Ashland |
Houma |
Oakland |
Hollywood |
Brentwood |
Fort Mill |
Alameda |
Grand Haven |
Palatine |
Ankeny |
Pella |
Rawlins |
Nicholasville |
Thomasville |
Mitchell |
Williamstown |
Waterford |
Bowling Green |
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| A good picture is equivalent to a good deed. | The difficulty with color is to go beyond the |
| - Vincent Van Gogh | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| I think the best pictures are often on the edges | something. It's difficult. So often color gets |
| of any situation, I don't find photographing the | caught up in color, and it becomes merely |
| situation nearly as interesting as | decorative. Some photographers use [ it ] |
| photographing the edges. - William Albert | brilliantly to make visual statements combining |
| Allard | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | |
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