| My own eyes are no more than scouts on a | A great photograph is one that fully expresses |
| preliminary search, for the camera's eye may | what one feels, in the deepest sense, about |
| entirely change my idea. - Edward | what is being photographed. - Ansel |
| Weston | Adams |
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| Photography suits the temper of this ageof | Keep it simple. - Alfred Eienstaedt |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | A room hung with pictures is a room hung with |
| ideas, imagery, for a prolific worker who | thoughts. - Sir Joshua Reynolds |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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Austin |
Charlotte |
Fort Worth |
Arlington |
Canton |
Erie |
Jersey City |
Boca Raton |
Dyersburg |
Wichita Falls |
Gunnison |
Fort Lee |
Gainesville |
Salina |
White Bear Lake |
Folsom |
East Liverpool |
Foster City |
Cortland |
Fairmont |
Castleton |
Michigan City |
Kalamazoo |
Lindale |
Seabrook |
Chincoteague Island |
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| Memory is very important, the memory of | Photography takes an instant out of time, |
| each photo taken, flowing at the same speed | altering life by holding it still. - Dorothea |
| as the event. During the work, you have to be | Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | It is not the language of painters but the |
| be too late. - Henri Cartier Bresson | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| I think you have to have a real point of view | reality, is more important than the feeling for |
| that's your own. You have to tell it your way. | pictures. - Vincent Van Gogh |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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