| One should really use the camera as though | A picture is the expression of an impression. If |
| tomorrow you'd be stricken blind. | the beautiful were not in us, how would we |
| - Dorothea Lange | ever recognize it? - Ernst Haas |
| | |
| The difficulty with color is to go beyond the | No place is boring, if you've had a good |
| fact that it's color to have it be not just a | night's sleep and have a pocket full of |
| colorful picture but really be a picture about | unexposed film. - Robert Adams |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | A room hung with pictures is a room hung with |
| decorative. Some photographers use [ it ] | thoughts. - Sir Joshua Reynolds |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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|
Houston |
Irving |
Fort Lauderdale |
Longview |
West Chester |
Arlington |
Lawrence |
Worcester |
Monroe |
Dunedin |
Batavia |
Jamestown |
Dell Rapids |
Waynesville |
Scottsbluff |
Willoughby |
Anaheim Hills |
Asbury Park |
Sauk Centre |
Wausau |
Black Mountain |
Barstow |
Florence |
Hillsboro |
Torrey |
Florence |
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| Photography is a major force in explaining | There is nothing worse than a sharp image of |
| man to man. - Edward Steichen | a fuzzy concept. - Ansel Adams |
| | |
| ...words and pictures can work together to | "Simply look with perceptive eyes at the |
| communicate more powerfully than either | world about you, and trust to your own |
| alone. -William Albert Allard | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| Photography records the gamut of feelings | and dream? Can I visualize a print - my own |
| written on the human face, the beauty of the | personal statement of what I feel and want to |
| earth and skies that man has inherited and the | convey - from the subject before me?" |
| wealth and confusion man has created. | - Ansel Adams |
| - Edward Steichen | |
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