| You learn to see by practice. It's just like | Photography is a major force in explaining |
| playing tennis, you get better the more you | man to man. - Edward Steichen |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | Photography is about finding out what can |
| more you realize what can be photographed | happen in the frame. When you put four |
| and what can't be photographed. You just have | edges around some facts, you change those |
| to keep doing it. - Eliot Porter | facts. - Gary Winogrand |
| | |
| No place is boring, if you've had a good | Photography records the gamut of feelings |
| night's sleep and have a pocket full of | written on the human face, the beauty of the |
| unexposed film. - Robert Adams | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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Charlotte |
New York |
Shreveport |
Cranston |
Williamsburg |
Tacoma |
Milwaukee |
Freehold |
Beaumont |
Stockton |
Plano |
Newport |
Evergreen |
Mahwah |
Windom |
Plant City |
Gastonia |
Oneonta |
Lander |
New Braunfels |
Lavonia |
Smithfield |
Lowell |
Sumter |
Bucyrus |
Willmar |
Honolulu |
Oak Ridge |
Port Wentworth |
Evansville |
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| Above all, it's hard learning to live with vivid | I almost never set out to photograph a |
| mental images of scenes I cared for and failed | landscape, nor do I think of my camera as a |
| to photograph. It is the edgy existence within | means of recording a mountain or an animal |
| me of these unmade images that is the only | unless I absolutely need a 'record shot'. My |
| assurance that the best photographs are yet to | first thought is always of light. - Galen |
| be made. - Sam Abell | Rowell |
| | |
| "Simply look with perceptive eyes at the | My own eyes are no more than scouts on a |
| world about you, and trust to your own | preliminary search, for the camera's eye may |
| reactions and convictions. Ask yourself: | entirely change my idea. - Edward |
| "Does this subject move me to feel, think | Weston |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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