| Keep it simple. - Alfred Eienstaedt | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| You can find pictures anywhere. It's simply a | colorful picture but really be a picture about |
| matter of noticing things and organizing them. | something. It's difficult. So often color gets |
| You just have to care about what's around you | caught up in color, and it becomes merely |
| and have a concern with humanity and the | decorative. Some photographers use [ it ] |
| human comedy. - Elliott Erwitt | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| No place is boring, if you've had a good | - Mary Ellen Mark |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | |
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New York |
Chicago |
Omaha |
Colorado Springs |
Pensacola |
Brooklyn |
Canton |
Modesto |
Worcester |
Wheeling |
Portsmouth |
Greeley |
Monticello |
Ephrata |
Longboat Key |
Chadron |
Hazel Park |
Craig |
Tamarac |
Bloomington |
Osceola |
Fresno |
Sherman |
Fairhope |
Palm Coast |
Lake Tahoe |
Canton |
Henrietta |
Stockbridge |
Kapaa |
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| ...words and pictures can work together to | Photography takes an instant out of time, |
| communicate more powerfully than either | altering life by holding it still. - Dorothea |
| alone. -William Albert Allard | Lange |
| | |
| I think you have to have a real point of view | Photography is my passion. - Alfred |
| that's your own. You have to tell it your way. | Stieglitz |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | It is not the language of painters but the |
| never going to be as good. You have to shoot | language of nature which one should listen to. |
| for yourself and photograph [the way] you | . . . The feeling for the things themselves, for |
| believe it. - Mary Ellen Mark | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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