| The difficulty with color is to go beyond the | Pictures you have taken have an influence on |
| fact that it's color to have it be not just a | those that you are going to make. |
| colorful picture but really be a picture about | That's life! - John Sexton |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | ...words and pictures can work together to |
| decorative. Some photographers use [ it ] | communicate more powerfully than either |
| brilliantly to make visual statements combining | alone. -William Albert Allard |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
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Houston |
New York |
Oklahoma City |
Mobile |
San Jose |
Stuart |
Rome |
Malden |
Lake Charles |
Montebello |
Bowling Green |
Mitchell |
Baxley |
Williamsburg |
Methuen |
Newburgh |
Northbrook |
Winchester |
Goodlettsville |
Minnetonka |
State College |
Fort Lee |
Palmdale |
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| A picture is the expression of an impression. If | [Photography] is a way of feeling, of touching, |
| the beautiful were not in us, how would we | of loving. What you have caught on film is |
| ever recognize it? - Ernst Haas | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| You learn to see by practice. It's just like | - Aaron Siskind |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | "Simply look with perceptive eyes at the |
| more you see. The more you photograph, the | world about you, and trust to your own |
| more you realize what can be photographed | reactions and convictions. Ask yourself: |
| and what can't be photographed. You just have | "Does this subject move me to feel, think |
| to keep doing it. - Eliot Porter | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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