| I think you have to have a real point of view | Photography is my passion. - Alfred |
| that's your own. You have to tell it your way. | Stieglitz |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | Now to consult the rules of composition before |
| never going to be as good. You have to shoot | making a picture is a little like consulting the |
| for yourself and photograph [the way] you | law of gravitation before going for a walk. |
| believe it. - Mary Ellen Mark | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| Memory is very important, the memory of | reflection . . . - Edward Weston |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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| A mad, keen photographer needs to get out | Keep it simple. - Alfred Eienstaedt |
| into the world and work and make mistakes. | |
| - Sam Abell | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| The virtue of the camera is not the power it | ever recognize it? - Ernst Haas |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | Sometimes you can tell a large story with a |
| looking. - Brooks Anderson | tiny subject. - Eliot Porter |
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| The difficulty with color is to go beyond the | A room hung with pictures is a room hung with |
| fact that it's color to have it be not just a | thoughts. - Sir Joshua Reynolds |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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