| You've got to push yourself harder. You've got | Photography suits the temper of this ageof |
| to start looking for pictures nobody else could | active bodies and minds. It is a perfect |
| take. You've got to take the tools you have and | medium for one whose mind is teeming with |
| probe deeper. - William Albert Allard | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| ...words and pictures can work together to | sculpting, for one who sees quickly and acts |
| communicate more powerfully than either | decisively, accurately. - Edward Weston |
| alone. -William Albert Allard | |
| | The virtue of the camera is not the power it |
| Photography records the gamut of feelings | has to transform the photographer into an |
| written on the human face, the beauty of the | artist, but the impulse it gives him to keep on |
| earth and skies that man has inherited and the | looking. - Brooks Anderson |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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New York |
West Palm Beach |
Los Angeles |
Oakland |
St. Paul |
Allentown |
Pasadena |
Newton |
Tacoma |
Towson |
El Dorado |
Fort Scott |
Milaca |
Kansas City |
Logan |
St. Charles |
Valentine |
Pawtucket |
Essex Junction |
Avon Park |
San Rafael |
River Falls |
Macon |
Eaton |
Oskaloosa |
Huntersville |
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| There is nothing worse than a sharp image of | You can find pictures anywhere. It's simply a |
| a fuzzy concept. - Ansel Adams | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| Now to consult the rules of composition before | and have a concern with humanity and the |
| making a picture is a little like consulting the | human comedy. - Elliott Erwitt |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | A room hung with pictures is a room hung with |
| accomplished fact; they are the products of | thoughts. - Sir Joshua Reynolds |
| reflection . . . - Edward Weston | |
| | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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