| Memory is very important, the memory of | The camera makes everyone a tourist in other |
| each photo taken, flowing at the same speed | people's reality. - Susan Sontag |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | My own eyes are no more than scouts on a |
| captured everything, because afterwards it will | preliminary search, for the camera's eye may |
| be too late. - Henri Cartier Bresson | entirely change my idea. - Edward |
| | Weston |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | The virtue of the camera is not the power it |
| And, I think that it's a mistake to shoot for a | has to transform the photographer into an |
| specific magazine's point of view because it's | artist, but the impulse it gives him to keep on |
| never going to be as good. You have to shoot | looking. - Brooks Anderson |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Chicago |
Syracuse |
Mobile |
Fort Lauderdale |
Toledo |
Las Vegas |
Orange Park |
Lake City |
Louisville |
Waltham |
Palm Bay |
Paris |
Frederick |
Tulare |
Peachtree City |
Arnold |
Coraopolis |
Champaign |
Forrest City |
Mukwonago |
Geneva |
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| Above all, it's hard learning to live with vivid | You can find pictures anywhere. It's simply a |
| mental images of scenes I cared for and failed | matter of noticing things and organizing them. |
| to photograph. It is the edgy existence within | You just have to care about what's around you |
| me of these unmade images that is the only | and have a concern with humanity and the |
| assurance that the best photographs are yet to | human comedy. - Elliott Erwitt |
| be made. - Sam Abell | |
| | A room hung with pictures is a room hung with |
| "Simply look with perceptive eyes at the | thoughts. - Sir Joshua Reynolds |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | No place is boring, if you've had a good |
| "Does this subject move me to feel, think | night's sleep and have a pocket full of |
| and dream? Can I visualize a print - my own | unexposed film. - Robert Adams |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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