| A good picture is equivalent to a good deed. | You've got to push yourself harder. You've got |
| - Vincent Van Gogh | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| A picture is the expression of an impression. If | probe deeper. - William Albert Allard |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| A great photograph is one that fully expresses | earth and skies that man has inherited and the |
| what one feels, in the deepest sense, about | wealth and confusion man has created. |
| what is being photographed. - Ansel | - Edward Steichen |
| Adams | |
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Pittsburgh |
Philadelphia |
Cincinnati |
Houston |
Tucson |
Longview |
Brownsville |
New Orleans |
Los Gatos |
Walterboro |
Kissimmee |
Tillamook |
Luray |
Twinsburg |
Henderson |
South Haven |
Lodi |
Tarpon Springs |
Harrisburg |
Gorham |
Girdwood |
Buck Meadows |
Delaware Water Gap |
Mineral Wells |
Trenton |
Mackinaw City |
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| "Simply look with perceptive eyes at the | I almost never set out to photograph a |
| world about you, and trust to your own | landscape, nor do I think of my camera as a |
| reactions and convictions. Ask yourself: | means of recording a mountain or an animal |
| "Does this subject move me to feel, think | unless I absolutely need a 'record shot'. My |
| and dream? Can I visualize a print - my own | first thought is always of light. - Galen |
| personal statement of what I feel and want to | Rowell |
| convey - from the subject before me?" | |
| - Ansel Adams | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| It is not the language of painters but the | entirely change my idea. - Edward |
| language of nature which one should listen to. | Weston |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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