| My own eyes are no more than scouts on a | There is nothing worse than a sharp image of |
| preliminary search, for the camera's eye may | a fuzzy concept. - Ansel Adams |
| entirely change my idea. - Edward | |
| Weston | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| The difficulty with color is to go beyond the | captured forever . . . it remembers little things, |
| fact that it's color to have it be not just a | long after you have forgotten everything. |
| colorful picture but really be a picture about | - Aaron Siskind |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Now to consult the rules of composition before |
| decorative. Some photographers use [ it ] | making a picture is a little like consulting the |
| brilliantly to make visual statements combining | law of gravitation before going for a walk. |
| color and content; otherwise it is empty. | Such rules and laws are deduced from the |
| - Mary Ellen Mark | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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Chicago |
Orlando |
Tampa |
Pensacola |
Dallas |
Gainesville |
Overland Park |
Lakeland |
Edison |
Tucson |
Fayetteville |
Lima |
Westbury |
Garden Grove |
New Orleans |
Provo |
Turlock |
American Fork |
Parsippany |
Marshfield |
Harrisonville |
Lancaster |
Ventura |
Long Island City |
Alexandria |
Newburgh |
Hempstead |
Lamar |
Hastings |
Federal Way |
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| Photography knows how to authenticate its | Keep it simple. - Alfred Eienstaedt |
| misrepresentations. - Mason Cooley | |
| | You can find pictures anywhere. It's simply a |
| Memory is very important, the memory of | matter of noticing things and organizing them. |
| each photo taken, flowing at the same speed | You just have to care about what's around you |
| as the event. During the work, you have to be | and have a concern with humanity and the |
| sure that you haven't left any holes, that you've | human comedy. - Elliott Erwitt |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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