| You've got to push yourself harder. You've got | A great photograph is one that fully expresses |
| to start looking for pictures nobody else could | what one feels, in the deepest sense, about |
| take. You've got to take the tools you have and | what is being photographed. - Ansel |
| probe deeper. - William Albert Allard | Adams |
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| I think you have to have a real point of view | A picture is the expression of an impression. If |
| that's your own. You have to tell it your way. | the beautiful were not in us, how would we |
| And, I think that it's a mistake to shoot for a | ever recognize it? - Ernst Haas |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | Sometimes you can tell a large story with a |
| for yourself and photograph [the way] you | tiny subject. - Eliot Porter |
| believe it. - Mary Ellen Mark | |
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Houston |
Colorado Springs |
Cincinnati |
Little Rock |
Butler |
San Antonio |
Frederick |
Newport |
Elizabeth |
Palo Alto |
St. Simons Island |
Pigeon Forge |
Harrison |
Bossier City |
Olathe |
Whiteville |
Weslaco |
Rock Falls |
La Marque |
Macedonia |
Carson |
Corning |
Storm Lake |
Carefree |
Yreka |
Woonsocket |
Nashville |
Winnemucca |
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| It is not the language of painters but the | Photography suits the temper of this ageof |
| language of nature which one should listen to. | active bodies and minds. It is a perfect |
| . . . The feeling for the things themselves, for | medium for one whose mind is teeming with |
| reality, is more important than the feeling for | ideas, imagery, for a prolific worker who |
| pictures. - Vincent Van Gogh | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| [Photography] is a way of feeling, of touching, | decisively, accurately. - Edward Weston |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | A mad, keen photographer needs to get out |
| long after you have forgotten everything. | into the world and work and make mistakes. |
| - Aaron Siskind | - Sam Abell |
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