| Photography takes an instant out of time, | The difficulty with color is to go beyond the |
| altering life by holding it still. - Dorothea | fact that it's color to have it be not just a |
| Lange | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| It is not the language of painters but the | caught up in color, and it becomes merely |
| language of nature which one should listen to. | decorative. Some photographers use [ it ] |
| . . . The feeling for the things themselves, for | brilliantly to make visual statements combining |
| reality, is more important than the feeling for | color and content; otherwise it is empty. |
| pictures. - Vincent Van Gogh | - Mary Ellen Mark |
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New York |
Chicago |
Miami |
Clearwater |
Louisville |
South Bend |
Santa Rosa |
Atlanta |
High Point |
Hendersonville |
Fond Du Lac |
Mount Vernon |
Jackson |
Warsaw |
Bay Minette |
Valentine |
Minnetonka |
Edina |
Chelsea |
Richmond |
Rochester Hills |
St. Joseph |
Litchfield |
Garden City |
Washington |
Kilgore |
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| You can find pictures anywhere. It's simply a | Photography knows how to authenticate its |
| matter of noticing things and organizing them. | misrepresentations. - Mason Cooley |
| You just have to care about what's around you | |
| and have a concern with humanity and the | I think you have to have a real point of view |
| human comedy. - Elliott Erwitt | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| A good picture is equivalent to a good deed. | specific magazine's point of view because it's |
| - Vincent Van Gogh | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| I think the best pictures are often on the edges | believe it. - Mary Ellen Mark |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
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