| My own eyes are no more than scouts on a | ...words and pictures can work together to |
| preliminary search, for the camera's eye may | communicate more powerfully than either |
| entirely change my idea. - Edward | alone. -William Albert Allard |
| Weston | |
| | Memory is very important, the memory of |
| I almost never set out to photograph a | each photo taken, flowing at the same speed |
| landscape, nor do I think of my camera as a | as the event. During the work, you have to be |
| means of recording a mountain or an animal | sure that you haven't left any holes, that you've |
| unless I absolutely need a 'record shot'. My | captured everything, because afterwards it will |
| first thought is always of light. - Galen | be too late. - Henri Cartier Bresson |
| Rowell | |
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Chicago |
Plano |
Fort Smith |
Moreno Valley |
Merced |
West Bend |
Southaven |
Laurinburg |
Hayward |
Wheat Ridge |
Fort Wayne |
Valdosta |
Hopewell |
Dumfries |
Albany |
Albion |
Morrilton |
North Hollywood |
Conneaut |
Poland |
Newport |
Fairhope |
Bossier City |
Wakefield |
Bourne |
Oakridge |
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| Now to consult the rules of composition before | A great photograph is one that fully expresses |
| making a picture is a little like consulting the | what one feels, in the deepest sense, about |
| law of gravitation before going for a walk. | what is being photographed. - Ansel |
| Such rules and laws are deduced from the | Adams |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | Keep it simple. - Alfred Eienstaedt |
| | |
| Photography is my passion. - Alfred | No place is boring, if you've had a good |
| Stieglitz | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
|