| Sometimes you can tell a large story with a | You've got to push yourself harder. You've got |
| tiny subject. - Eliot Porter | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| No place is boring, if you've had a good | probe deeper. - William Albert Allard |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | ...words and pictures can work together to |
| | communicate more powerfully than either |
| Keep it simple. - Alfred Eienstaedt | alone. -William Albert Allard |
| | |
| You can find pictures anywhere. It's simply a | I think you have to have a real point of view |
| matter of noticing things and organizing them. | that's your own. You have to tell it your way. |
| You just have to care about what's around you | And, I think that it's a mistake to shoot for a |
| and have a concern with humanity and the | specific magazine's point of view because it's |
| human comedy. - Elliott Erwitt | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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Houston |
New York |
Chicago |
Dallas |
Birmingham |
Delray Beach |
Flushing |
West Chester |
Douglas |
Waldorf |
Chesapeake |
Hurst |
Orangeburg |
Milton |
Morgan Hill |
Herndon |
Jackson |
Absecon |
Lewiston |
Teaneck |
St. James |
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| Photography suits the temper of this ageof | There is nothing worse than a sharp image of |
| active bodies and minds. It is a perfect | a fuzzy concept. - Ansel Adams |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | "Simply look with perceptive eyes at the |
| would be slowed down by painting or | world about you, and trust to your own |
| sculpting, for one who sees quickly and acts | reactions and convictions. Ask yourself: |
| decisively, accurately. - Edward Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| One should really use the camera as though | personal statement of what I feel and want to |
| tomorrow you'd be stricken blind. | convey - from the subject before me?" |
| - Dorothea Lange | - Ansel Adams |
|