| There is nothing worse than a sharp image of | ...words and pictures can work together to |
| a fuzzy concept. - Ansel Adams | communicate more powerfully than either |
| | alone. -William Albert Allard |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | Photography records the gamut of feelings |
| reactions and convictions. Ask yourself: | written on the human face, the beauty of the |
| "Does this subject move me to feel, think | earth and skies that man has inherited and the |
| and dream? Can I visualize a print - my own | wealth and confusion man has created. |
| personal statement of what I feel and want to | - Edward Steichen |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Houston |
Wichita |
Birmingham |
Alexandria |
St. Louis |
Owensboro |
Annapolis |
Scranton |
Canton |
Newark |
Hobbs |
Ionia |
Beeville |
West Des Moines |
Mason |
Arlington |
Roseville |
Michigan City |
Martinez |
West Helena |
St. James |
Cherokee |
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| Keep it simple. - Alfred Eienstaedt | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| A great photograph is one that fully expresses | entirely change my idea. - Edward |
| what one feels, in the deepest sense, about | Weston |
| what is being photographed. - Ansel | |
| Adams | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| A room hung with pictures is a room hung with | colorful picture but really be a picture about |
| thoughts. - Sir Joshua Reynolds | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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