| Pictures you have taken have an influence on | [Photography] is a way of feeling, of touching, |
| those that you are going to make. | of loving. What you have caught on film is |
| That's life! - John Sexton | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| Photography records the gamut of feelings | - Aaron Siskind |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | It is not the language of painters but the |
| wealth and confusion man has created. | language of nature which one should listen to. |
| - Edward Steichen | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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| Sometimes you can tell a large story with a | The difficulty with color is to go beyond the |
| tiny subject. - Eliot Porter | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| You learn to see by practice. It's just like | something. It's difficult. So often color gets |
| playing tennis, you get better the more you | caught up in color, and it becomes merely |
| play. The more you look around at things, the | decorative. Some photographers use [ it ] |
| more you see. The more you photograph, the | brilliantly to make visual statements combining |
| more you realize what can be photographed | color and content; otherwise it is empty. |
| and what can't be photographed. You just have | - Mary Ellen Mark |
| to keep doing it. - Eliot Porter | |
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