| ...words and pictures can work together to | The virtue of the camera is not the power it |
| communicate more powerfully than either | has to transform the photographer into an |
| alone. -William Albert Allard | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | The camera makes everyone a tourist in other |
| as the event. During the work, you have to be | people's reality. - Susan Sontag |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | My own eyes are no more than scouts on a |
| be too late. - Henri Cartier Bresson | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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Houston |
Chicago |
Indianapolis |
Louisville |
New York |
Huntsville |
Portland |
Edison |
Cuyahoga Falls |
Bloomington |
San Jose |
Mequon |
Stillwater |
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The Colony |
Danville |
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| A great photograph is one that fully expresses | It is not the language of painters but the |
| what one feels, in the deepest sense, about | language of nature which one should listen to. |
| what is being photographed. - Ansel | . . . The feeling for the things themselves, for |
| Adams | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| Sometimes you can tell a large story with a | |
| tiny subject. - Eliot Porter | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| I think the best pictures are often on the edges | reactions and convictions. Ask yourself: |
| of any situation, I don't find photographing the | "Does this subject move me to feel, think |
| situation nearly as interesting as | and dream? Can I visualize a print - my own |
| photographing the edges. - William Albert | personal statement of what I feel and want to |
| Allard | convey - from the subject before me?" |
| | - Ansel Adams |
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