| Keep it simple. - Alfred Eienstaedt | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| A good picture is equivalent to a good deed. | Lange |
| - Vincent Van Gogh | |
| | "Simply look with perceptive eyes at the |
| Sometimes you can tell a large story with a | world about you, and trust to your own |
| tiny subject. - Eliot Porter | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| A great photograph is one that fully expresses | and dream? Can I visualize a print - my own |
| what one feels, in the deepest sense, about | personal statement of what I feel and want to |
| what is being photographed. - Ansel | convey - from the subject before me?" |
| Adams | - Ansel Adams |
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Miami |
Pittsburgh |
Denver |
Madison |
Worcester |
Cleveland |
Albany |
Anderson |
Marlborough |
Milton |
Weslaco |
Northampton |
Midwest City |
Augusta |
Doniphan |
Buffalo |
Troy |
Pleasanton |
Mankato |
Troy |
Ringgold |
Aberdeen |
Willis |
Missouri Valley |
Martin |
Schaumburg |
Edgewater |
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| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Photography suits the temper of this ageof | captured everything, because afterwards it will |
| active bodies and minds. It is a perfect | be too late. - Henri Cartier Bresson |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | Pictures you have taken have an influence on |
| would be slowed down by painting or | those that you are going to make. |
| sculpting, for one who sees quickly and acts | That's life! - John Sexton |
| decisively, accurately. - Edward Weston | |
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