| Keep it simple. - Alfred Eienstaedt | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| You learn to see by practice. It's just like | - Dorothea Lange |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | A mad, keen photographer needs to get out |
| more you see. The more you photograph, the | into the world and work and make mistakes. |
| more you realize what can be photographed | - Sam Abell |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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Dallas |
Jacksonville |
Washington |
Staten Island |
Pittsburgh |
Saginaw |
Los Angeles |
Corona |
Cranston |
Reading |
Oak Ridge |
State College |
Las Vegas |
Stafford |
St. Ignace |
Lufkin |
Norman |
Long Branch |
Ionia |
Indialantic |
Hillsboro |
Boynton Beach |
Blytheville |
Metairie |
Ft Smith |
South Beloit |
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| Photography is my passion. - Alfred | I think you have to have a real point of view |
| Stieglitz | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| "Simply look with perceptive eyes at the | specific magazine's point of view because it's |
| world about you, and trust to your own | never going to be as good. You have to shoot |
| reactions and convictions. Ask yourself: | for yourself and photograph [the way] you |
| "Does this subject move me to feel, think | believe it. - Mary Ellen Mark |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Memory is very important, the memory of |
| convey - from the subject before me?" | each photo taken, flowing at the same speed |
| - Ansel Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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