| Memory is very important, the memory of | No place is boring, if you've had a good |
| each photo taken, flowing at the same speed | night's sleep and have a pocket full of |
| as the event. During the work, you have to be | unexposed film. - Robert Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Keep it simple. - Alfred Eienstaedt |
| be too late. - Henri Cartier Bresson | |
| | A room hung with pictures is a room hung with |
| Photography knows how to authenticate its | thoughts. - Sir Joshua Reynolds |
| misrepresentations. - Mason Cooley | |
| | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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San Francisco |
Norfolk |
Idaho Falls |
Laurel |
Downers Grove |
Abilene |
Brea |
Coral Springs |
Tomahawk |
Little Rock |
Brookville |
Pomona |
Clermont |
South Jacksonville |
Bremerton |
Galesburg |
Red River |
Washington |
Buttonwillow |
West Yarmouth |
Pontiac |
St. Davids |
Whitefish |
Brentwood |
St. Helens |
Bennington |
Ironwood |
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| [Photography] is a way of feeling, of touching, | One should really use the camera as though |
| of loving. What you have caught on film is | tomorrow you'd be stricken blind. |
| captured forever . . . it remembers little things, | - Dorothea Lange |
| long after you have forgotten everything. | |
| - Aaron Siskind | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| There is nothing worse than a sharp image of | entirely change my idea. - Edward |
| a fuzzy concept. - Ansel Adams | Weston |
| | |
| It is not the language of painters but the | A mad, keen photographer needs to get out |
| language of nature which one should listen to. | into the world and work and make mistakes. |
| . . . The feeling for the things themselves, for | - Sam Abell |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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