| Pictures you have taken have an influence on | A picture is the expression of an impression. If |
| those that you are going to make. | the beautiful were not in us, how would we |
| That's life! - John Sexton | ever recognize it? - Ernst Haas |
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| Photography knows how to authenticate its | You learn to see by practice. It's just like |
| misrepresentations. - Mason Cooley | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| Photography records the gamut of feelings | more you see. The more you photograph, the |
| written on the human face, the beauty of the | more you realize what can be photographed |
| earth and skies that man has inherited and the | and what can't be photographed. You just have |
| wealth and confusion man has created. | to keep doing it. - Eliot Porter |
| - Edward Steichen | |
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Portland |
Columbia |
Cleveland |
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Bartlesville |
Clearwater |
Columbus |
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| A mad, keen photographer needs to get out | "Simply look with perceptive eyes at the |
| into the world and work and make mistakes. | world about you, and trust to your own |
| - Sam Abell | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| The camera makes everyone a tourist in other | and dream? Can I visualize a print - my own |
| people's reality. - Susan Sontag | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| The virtue of the camera is not the power it | - Ansel Adams |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | [Photography] is a way of feeling, of touching, |
| looking. - Brooks Anderson | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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