| The virtue of the camera is not the power it | A great photograph is one that fully expresses |
| has to transform the photographer into an | what one feels, in the deepest sense, about |
| artist, but the impulse it gives him to keep on | what is being photographed. - Ansel |
| looking. - Brooks Anderson | Adams |
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| I almost never set out to photograph a | A good picture is equivalent to a good deed. |
| landscape, nor do I think of my camera as a | - Vincent Van Gogh |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | I think the best pictures are often on the edges |
| first thought is always of light. - Galen | of any situation, I don't find photographing the |
| Rowell | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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Portland |
Houston |
Rochester |
Hartford |
Wilmington |
Louisville |
Scranton |
Troy |
Chula Vista |
Salem |
Santa Ana |
Waterford |
Palm Springs |
Charleston |
Naperville |
Tomball |
Jeffersonville |
Newnan |
Lincolnton |
Emporia |
Forsyth |
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| Photography is my passion. - Alfred | You've got to push yourself harder. You've got |
| Stieglitz | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| "Simply look with perceptive eyes at the | probe deeper. - William Albert Allard |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | Photography records the gamut of feelings |
| "Does this subject move me to feel, think | written on the human face, the beauty of the |
| and dream? Can I visualize a print - my own | earth and skies that man has inherited and the |
| personal statement of what I feel and want to | wealth and confusion man has created. |
| convey - from the subject before me?" | - Edward Steichen |
| - Ansel Adams | |
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