| You've got to push yourself harder. You've got | A room hung with pictures is a room hung with |
| to start looking for pictures nobody else could | thoughts. - Sir Joshua Reynolds |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| I think you have to have a real point of view | situation nearly as interesting as |
| that's your own. You have to tell it your way. | photographing the edges. - William Albert |
| And, I think that it's a mistake to shoot for a | Allard |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | No place is boring, if you've had a good |
| for yourself and photograph [the way] you | night's sleep and have a pocket full of |
| believe it. - Mary Ellen Mark | unexposed film. - Robert Adams |
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Houston |
Memphis |
Honolulu |
Cuyahoga Falls |
Elyria |
Morristown |
Corning |
Casa Grande |
Hamilton |
Brainerd |
Union |
Lake City |
Bridgeview |
Woburn |
Robinson |
Ville Platte |
Leesburg |
Smithtown |
Fremont |
Long Beach |
Idaho Falls |
Astoria |
Kihei Maui |
Owasso |
Mansfield |
Meridian |
Ozona |
Schenectady |
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| The difficulty with color is to go beyond the | "Simply look with perceptive eyes at the |
| fact that it's color to have it be not just a | world about you, and trust to your own |
| colorful picture but really be a picture about | reactions and convictions. Ask yourself: |
| something. It's difficult. So often color gets | "Does this subject move me to feel, think |
| caught up in color, and it becomes merely | and dream? Can I visualize a print - my own |
| decorative. Some photographers use [ it ] | personal statement of what I feel and want to |
| brilliantly to make visual statements combining | convey - from the subject before me?" |
| color and content; otherwise it is empty. | - Ansel Adams |
| - Mary Ellen Mark | |
| | Photography is my passion. - Alfred |
| | Stieglitz |
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