| I think you have to have a real point of view | I think the best pictures are often on the edges |
| that's your own. You have to tell it your way. | of any situation, I don't find photographing the |
| And, I think that it's a mistake to shoot for a | situation nearly as interesting as |
| specific magazine's point of view because it's | photographing the edges. - William Albert |
| never going to be as good. You have to shoot | Allard |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
| ...words and pictures can work together to | |
| communicate more powerfully than either | Keep it simple. - Alfred Eienstaedt |
| alone. -William Albert Allard | |
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|
Houston |
New York |
Los Angeles |
Pittsburgh |
Jacksonville |
Fresno |
New Orleans |
Chicago |
Virginia Beach |
Allentown |
Staten Island |
Waldorf |
Garland |
Florissant |
Brooklyn Park |
Lewistown |
Santa Monica |
Rockmart |
Ellicott City |
Conshohocken |
Old Forge |
Cortland |
Quechee |
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| My own eyes are no more than scouts on a | Photography takes an instant out of time, |
| preliminary search, for the camera's eye may | altering life by holding it still. - Dorothea |
| entirely change my idea. - Edward | Lange |
| Weston | |
| | Now to consult the rules of composition before |
| The difficulty with color is to go beyond the | making a picture is a little like consulting the |
| fact that it's color to have it be not just a | law of gravitation before going for a walk. |
| colorful picture but really be a picture about | Such rules and laws are deduced from the |
| something. It's difficult. So often color gets | accomplished fact; they are the products of |
| caught up in color, and it becomes merely | reflection . . . - Edward Weston |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|