| It is not the language of painters but the | Sometimes you can tell a large story with a |
| language of nature which one should listen to. | tiny subject. - Eliot Porter |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | I think the best pictures are often on the edges |
| pictures. - Vincent Van Gogh | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Photography is my passion. - Alfred | photographing the edges. - William Albert |
| Stieglitz | Allard |
| | |
| "Simply look with perceptive eyes at the | A room hung with pictures is a room hung with |
| world about you, and trust to your own | thoughts. - Sir Joshua Reynolds |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Brooklyn |
Las Vegas |
Detroit |
Kansas City |
Sarasota |
Shreveport |
Los Angeles |
Rockford |
Simi Valley |
New Iberia |
Talladega |
North Fort Myers |
Fresno |
Monahans |
Junction |
Asheville |
Steamboat Springs |
Sedona |
Mount Dora |
Spirit Lake |
Siloam Springs |
Beloit |
San Ramon |
La Grande |
Bucyrus |
Mount Pleasant |
Fridley |
Carrollton |
Loveland |
Brookfield |
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| You've got to push yourself harder. You've got | A mad, keen photographer needs to get out |
| to start looking for pictures nobody else could | into the world and work and make mistakes. |
| take. You've got to take the tools you have and | - Sam Abell |
| probe deeper. - William Albert Allard | |
| | One should really use the camera as though |
| Memory is very important, the memory of | tomorrow you'd be stricken blind. |
| each photo taken, flowing at the same speed | - Dorothea Lange |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | The camera makes everyone a tourist in other |
| captured everything, because afterwards it will | people's reality. - Susan Sontag |
| be too late. - Henri Cartier Bresson | |
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