| Keep it simple. - Alfred Eienstaedt | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| A picture is the expression of an impression. If | captured forever . . . it remembers little things, |
| the beautiful were not in us, how would we | long after you have forgotten everything. |
| ever recognize it? - Ernst Haas | - Aaron Siskind |
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| I think the best pictures are often on the edges | Now to consult the rules of composition before |
| of any situation, I don't find photographing the | making a picture is a little like consulting the |
| situation nearly as interesting as | law of gravitation before going for a walk. |
| photographing the edges. - William Albert | Such rules and laws are deduced from the |
| Allard | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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New York |
Los Angeles |
Houston |
Fort Worth |
San Francisco |
Phoenix |
Detroit |
Shelbyville |
Brooksville |
Denton |
Sebring |
Fitzgerald |
Johnson City |
Taunton |
Clayton |
Tomball |
Tamarac |
New Providence |
Suffern |
Deerfield Beach |
Westbrook |
Washington |
Napa |
Emmetsburg |
Cookstown |
Castleton On Hudson |
Safford |
Washington |
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| Photography knows how to authenticate its | The difficulty with color is to go beyond the |
| misrepresentations. - Mason Cooley | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Pictures you have taken have an influence on | something. It's difficult. So often color gets |
| those that you are going to make. | caught up in color, and it becomes merely |
| That's life! - John Sexton | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| You've got to push yourself harder. You've got | color and content; otherwise it is empty. |
| to start looking for pictures nobody else could | - Mary Ellen Mark |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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