| Photography knows how to authenticate its | Now to consult the rules of composition before |
| misrepresentations. - Mason Cooley | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| Pictures you have taken have an influence on | Such rules and laws are deduced from the |
| those that you are going to make. | accomplished fact; they are the products of |
| That's life! - John Sexton | reflection . . . - Edward Weston |
| | |
| Memory is very important, the memory of | It is not the language of painters but the |
| each photo taken, flowing at the same speed | language of nature which one should listen to. |
| as the event. During the work, you have to be | . . . The feeling for the things themselves, for |
| sure that you haven't left any holes, that you've | reality, is more important than the feeling for |
| captured everything, because afterwards it will | pictures. - Vincent Van Gogh |
| be too late. - Henri Cartier Bresson | |
|
|
Philadelphia |
Portland |
Minneapolis |
Torrance |
Jackson |
Corona |
Milwaukee |
Topeka |
Chicago |
St. Charles |
Great Neck |
Altamonte Springs |
Marlborough |
Shawnee |
Bastrop |
Fort Valley |
Modesto |
Rochester Hills |
Bronx |
North Augusta |
Elizabeth |
Clanton |
Woodstock |
Solana Beach |
Brady |
Hazleton |
Shelby |
Chatham |
Troy |
Glendale Heights |
|
|
| A mad, keen photographer needs to get out | Keep it simple. - Alfred Eienstaedt |
| into the world and work and make mistakes. | |
| - Sam Abell | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| The camera makes everyone a tourist in other | play. The more you look around at things, the |
| people's reality. - Susan Sontag | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| One should really use the camera as though | and what can't be photographed. You just have |
| tomorrow you'd be stricken blind. | to keep doing it. - Eliot Porter |
| - Dorothea Lange | |
|